To Say and/or To Be? Imcongruence in Kurtág's The Sayings of Péter Bornemisza, Op. 7
Identifieur interne : 000B47 ( Main/Exploration ); précédent : 000B46; suivant : 000B48To Say and/or To Be? Imcongruence in Kurtág's The Sayings of Péter Bornemisza, Op. 7
Auteurs : Rachel Beckles Willson [Royaume-Uni]Source :
- Music Analysis [ 0262-5245 ] ; 2003-10.
English descriptors
- Teeft :
- Beckles, Blackwell, Blackwell publishing, Bornemisza, Cumming, Final movement, First movement, First phrase, Fourth movement, Friedrich spangemacher, Gestural, Gestural semantics, Graphic representation, Gyorgy, Gyorgy kurtag, Hard stone wall, Inner voice, Interval profile, Jozsef attila fragments, Karpati, Kroo, Kurtag, Kurtag gyorgy, Major thirds, Molto, Music analysis, Musical connections, Musical form, Musical gestures, Musical processes, Musical representation, Organic resolution, Ostinato unit, Outline study, Perfect fifths, Philippe albera, Piano part, Poco, Rachel beckles willson, Registral, Second movement, Short movements, Signification, Sonic self, Soprano voice, Stahl, Szendy, Tenth movement, Textual meaning, Universal edition, Upper voice, Uppermost voice, Vocal line, Voice slides, Whole movement, Willson.
Url:
DOI: 10.1111/j.0262-5245.2003.00188.x
Affiliations:
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